Showing posts with label the frogs. Show all posts
Showing posts with label the frogs. Show all posts

Tuesday, August 13, 2013

Spotify Wishlist

Let me be clear: Spotify is immense. It has opened my musical world tenfold. But, there are gaps in its huge catalog of records. These are the things that are missing:
 
Updated July 12, 2017

MISSING FROM CATALOG:
    • Peter Gabriel: assorted (they removed it)
    • Genesis: The Lamb Lies Down on Broadway
    • Tool: all major releases
    • King Crimson: all major releases
    • Prince: The Gold Experience, Chaos and Disorder, Emancipation, Rave Un2 the Joy Fantastic, 3121, Lotusflower, & 20Ten
    • Zwan: Mary Star of the Sea
    • Omar Rodriguez-Lopez: assorted
    • John Frusciante: assorted
    • Dave Clark Five: Glad All Over
    • Graham Coxon: A+E
    • Skysaw
    • John Entwistle: all major releases
    GAPS ADDED TO CATALOG:
    • Girl Band (Dublin)
    • Lou Reed: New Sensations
    • Kinks: Lola Versus Powerman and the Moneygoround, Part One  
    • The Frogs: all major releases 
    • Rick James: Cold Blooded, & Glow 
    • Klaxons: Surfing the Void
    • Placebo, Black Market Music, Without You I'm Nothing, Sleeping with Ghosts 
    • Pink Floyd
    • Silverchair: Freak Show
    • Lou Reed: Street Hassle
    • Prince: Diamonds and Pearls
    • Metallica
    • Prince: For You
    • Melissa Auf der Maur: Auf der Maur
    • Beady Eye: (BE)
    • Led Zeppelin
    • Boards of Canada
    • Rick James: Bustin' out  of L Seven
    • Pete Townshend: solo albums (specifically the "Slit Skirts" track!) 
    • The Legendary Stardust Cowboy: "Paralyzed" and "I Took a Trip (On a Gemini Spaceship)" 
    • Jesus and Mary Chain: "Upside Down"
    • Lou Reed & Metallica: Lulu
    • Sponge: Rotting Pinata
    • U2: "Discotheque" (from Pop)
    • The Rentals: Return of the Rentals
    • Gang of Four: Solid Gold, Songs of the Free, & Hard
    • Jimmy Chamberlain Complex
    • Sam Kinison: all major releases
    • Ronnie Wood: assorted
    Here's a link to submit requests to Spotify US: https://www.spotify.com/us/about-us/contact/contact-spotify-support/?contact

    Tuesday, June 7, 2011

    The Best Vietnam Song

    What is the best musical expression to fit the Vietnam Conflict? ...I know what I'm getting into here. Nostalgia. Stepping on the memories of vets. Rolling Stones bashing.

    The war happened between 1963 and 1972: Military overconfidence, civilian casualties, strung-out draftees. Even in the wake of the aftermath, artists still wrote about the conflict. But which has the perfect vibe?

    A few songs come to mind:
    • "Blowin' in the Wind" (1963)
    • "The Times They Are a-Changin'" (1964)
    • "I Can't Get No (Satisfaction)"  (1965)
    • "The End" (1967)
    • "White Rabbit" (1967)
    • "Give Peace a Chance" (1969)
    • "Fortunate Son" (1969)
    • "War Pigs" (1970)
    • "Born in the USA" (1984)
    Now Bob Dylan was mega in that era. A poetic and a reluctant leader. He would deny the Sixties and probably say he was above the war and politics. I'm going to throw him out, yes I am.

    "Satisfaction" by the Stones seems almost perfect. Not for the content, but the attitude. Who can forget the water skiing scene in Apocalypse Now? But, it's not there yet. In that same film, "The End" destroys a treeline (and a man) with atonal cacophony. And that's what Vietnam encapsulated: Western cacophony. But, the Doors are a little too hipster for the demographic of Army grunts, aren't they?.

    "White Rabbit" seems ideal with the whole drug culture thing. But, not everyone did dope. And, the crescendo ending is almost triumphant. Vietnam wasn't about triumph. Creedence Clearwater Revival is the face of Southern rock. And, I must have looped "Fortunate Son" once for a straight hour. But, I feel that this is a song for all the people who didn't get drafted. It wasn't an anthem for soldiers, was it?

    Black Sabbath doesn't bring Saigon or Mekong to mind. I feel it was a tad too heavy for the time, an eclectic track. Now, a classic; then, an outsider metal song.

    I doubt most veterans realize "Born in the U.S.A." is anti-Vietnam. It came out in the 80s, and had every American flag-waver singing the chorus (but ignoring the verses). Ironic, and probably frustrating for Springsteen. Really good songwriting... not depressing enough.

    ....There is one song, unlisted and relatively unknown to pop culture. And, to be honest, it--above all others--captures the essence of Vietnam. The essence that Capt. Benjamin Willard shows in the Kurtz compound. The paranoia, the distress... raw insanity. Synthesizers. Fucking 'Nam.


    The Frogs are a weird band, no getting around that. So obscure, yet so respected by the rock community. Kind of like the Shaggs, even down to the family connection. But not really.

    They have a song, not on any of their albums, which succinctly describes this War. Napster brought this song to my ears. My best guess for recording year is 1995.

    "'Nam" starts with a warm synthesizer, and like any good epic, resonates with an opening: "I wish to God/I'd never gone/to Vietnam". And, from there, the descent into madness. It's more of a soliloquy than a song.

    God, did they nail it. The nature of modern warfare is there. It's almost soothing. Free form droning with barely a rhyme (just like Vietnam). Sound effects like helicopter propellers and gunfire--real horror gunfire--issue from the left speaker. And, the wails of women are heard.

    Their song is a soldier's recollection of Vietnam in a sequence of random imagery and inner dialogue. I can imagine a veteran smoking on his couch. M16 in-hand, eyes glazed over, recanting his successes and failures through military service. Spouting lines like he's flipping through TV stations. One minute he's talking about being a hero, the next he's torturing a Vietcong. Fantasizing about girls he left back home; then Comin' Home in a Body Bag rants. It's all violent, even the crying.

    The synth pulses sound like a funeral dirge... a predecessor to Radiohead's piano experiments. Dennis Flemion's voice sounds sneering, fragile, whiny, angry, real. The final couplet summarizes the war like a sportscaster: USA, zero. Vietnam, one.

    It clocks in at over eight minutes and there's nothing I can find about it online. So, I'm posting the file and the lyrics for posterity's sake.

    Edit: forgot to name-drop Alice in Chains "Rooster"!

    The MP3 is available here.

    Further reading:

    'Nam Lyrics
     -
    There were years
    There were years
    Those were years,
    I'd like to forget.
     
    I wish to God
    I'd never gone
    to Vietnam

    Fuckin' 'Nam!
    Fuckin' 'Nam!
    Viet Nam!

    There were times
    Had to shoot
    Fucking had to shoot
    my gun

    There were times
    (Vietnam)
    when the pain
    got so bad
    in 'Nam

    Maybe took
    Gook by the hair
    Did some damage
    in Vietnam

    Yeah
    apologies came later
    Said I was sorry
    Said I was sorry
    for the My Lai Massacre

    Havin' kicks
    Havin' my kicks
    with a broad.
    Vietnam.

    People think it was a joke:
    Listen to rock n' roll music
    and drive around in cars.

    Well, I fought
    for our freedom
    in Vietnam

    Fuckin' Vietnam.
    It wasn't fun.

    What was it like in.....
    Vietnam?

    Did I say it sucked?
    Rice paddy nights
    No light
    The light was gone

    Occasionally
    we had some fun
    Maybe pull out a gun
    Re-slant the Gook's eyes
     
    I said I was sorry
    for the shit in 'Nam
    Yeah, I came back a hero
    from Vietnam.

    Still trying to get over
    the good times
    Good times I had
    Everything was fun,
    Vietnam

    Oh, I cried a lot of tears
    Charlie don't surf no more
    He got, he got
    fucked up behind the ears

    Excuse me, I have to fight again.
     
    (Sorry about that.
    It's just, just part of
    the way things are in Vietnam.)

    Did you get my letter?
    Did you get my letter?
    I know you'll still love me
    when I get back home.

    After all, it's part of
    my reward
    for the good I've done.

    It's going to be nice
    being
    decorated with medals.
    Gonna be good times.

    Everyone will cheer.
    Throw up their arms
    and climb
    to the highest sphere.

    I'm a hero now.
    The War days are done.
    They're behind me now.

    They shouldn't have let me
    Shouldn't have let me
    bring home my gun.

    Everyone once in awhile
    I get the fuckin' memories,
    Vietnam.

    You'll maybe see
    a Gook's head
    A baby head
    Floating in a river.
    Da Nang.
    Vietnam.

    Sorry Charlie,
    you don't fucking
    surf no more.

    Charlie don't fucking
    live no more.
    He don't.
    He don't live no more
    in Vietnam.

    Others shipped him home
    In a bag.
    It was his bag
    to be shipped home
    from Vietnam.

    Job well done!
    Vietnam!

    USA, zero.
    Vietnam, one.

    Monday, May 23, 2011

    It’s Only Right and Natural: an Autobiography Translated

    I have below a translation of one of the hardest things I’ve ever read. Harder than making it through Tom Sawyer’s southern dialect or James Joyce’s consciousness. It was a challenge, and hours to complete fully. I had to rewrite and re-think what I knew about grammar—semicolons, punctuations, paragraphs, ellipses, inner dialogue, etc. It was a beast. But reading it made me laugh, because it started to throw in puns and wordplay (if you only knew the inside jokes!) I tried to mark and notate the mental illness as best I could. Still difficult, but worth it. Especially if you are a fan of alternative music, and never heard of the cult band The Frogs. I’ll leave it at that. Without further ado: The Frogs’ Myspace autobiography.

    [It] began in earnest 1980. [We] played five “warm up” shows to get our feet wet at UW-Milwaukee—open mike, etc. Rocked them, knew we were ready and moved on… to the Starship (a downtown Milwaukee nightclub). Initially [we] had a small but loyal “skate punk” following… That didn’t last. From June to October 1980, we went through half a dozen changes stylistically—soundscaping faster than our audience could keep up with: a) electric guitar, three drums, floor tom, snare and cymbal; b) electric guitar, three drums, floor tom, snare, cymbal, drum machine, washing machine, etc.

    After Halloween 1980 we decided we wouldn’t play live again until our set consisted of all originals—and we set out to do just that. Then sometime in 1982, Jim wrote “Death Songs” (to be continued). Backtrack: we were never a folk-rock duo; we were drums and wires, drums and electric guitar from the get-go; and we rocked the hell out of Donovan, Beatle ballads, Leonard Cohen, nursery rhymes, etc. An eclectic mix as I say, from the start. Although, what must be stated up front is that—for all intents and purposes—when we got the group together in 1980, to our eyes and ears rock was already dead. But, we decided to throw in our two cents’ worth anyway. So we started playing live; mastering the stage as we went, becoming our own best friend in the process. The perfect unit/ensemble a la Beatles, Rolling Stones, who-have-you; and that was that. [We also liked] taking the piss out of every (pretentious) bitch/witch/bastard who happened along the way; needing bringing down a rung or two (or three or, for that matter/fatter, four). To be continued for you and me. (Two beat continyoued for u and meet.)

    Moving some posts to Medium and elsewhere

    There may be some video game or gardening posts here, but many of my blog and non-blog posts will be visible elsewhere, mostly likely my per...